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Earle Brown

Earle Brown was a leading composer of the American avant-garde scene of the 1950s. He collaborated with John Cage, Morton Feldman, and Christian Wolff among others, all of whom were part of the “New York School.” During his career, Brown experimented with time notation, open-form compositional structures, and improvisation. Brown’s work appeared in The Kitchen group exhibition Between Thought and Sound in 2007. For more information, please visit http://www.earle-brown.org/.

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The Music Of Cornelius Cardew

Alvin S. Curran, Annea Lockwood, Ben Patterson, Christian Wolff, Cornelius Cardew, David Behrman, Earle Brown, Frederic Rzewski, Ivan Tcherepnin, John Tilbury, Maryanne Amacher, Max Neuhaus, Michael Byron, Ned Sublette, Philip Corner, Ruth Anderson, Shem Guibbory, Music, 1980s

Between Thought and Sound: Graphic Notation in Contemporary Music

Alison Knowles, Alvin Lucier, Annea Lockwood, Anthony Jay Ptak, Cathy Berberian, Christian Wolff, Cornelius Cardew, David Behrman, David Tudor, Earle Brown, Elliott Sharp, Gordon Matta-Clark, Gordon Mumma, James Beckett, James Saunders, Joan La Barbara, John Driscoll, Jon Gibson, Kaffe Matthews, Laura Andel, Marina Rosenfeld, Meredith Monk, Michael J. Schumacher, Miya Masaoka, Morton Feldman, Robert Ashley, Stephen Vitiello, Steve Roden, Tom Johnson, Tony Conrad, Wadada Leo Smith, Yasunao Tone, Exhibitions, Music, 2000s
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