Casey Llewellyn is a Boston-born, Brooklyn-based playwright, director, and performer whose work explores identity, collectivity and form. Her performance credits include I Am Bleeding All Over the Place: A Living History; Come in. Be with me. Don't touch me.; and Piece for Vibrating Chair. Playwriting credits include The Body which is the Town, Zaide!, Obsession Piece, The Quiet Way and O, Earth. Llewellyn has also published essays in The Racial Imaginary: Writers on Race in the Life of the Mind, edited by Claudia Rankine, Beth Loffreda, and Max King Cap as well as Imagined Theatres: Writing for a Theoretical Stage, edited by Daniel Sack. She appeared at The Kitchen twice in 2017, participating in panels for both The Kitchen Lab Conference: POSITION and as part of the two-week open performance and colloquy Half Straddle: Here I Go, pt. 2 of You. For more information, see:

Half Straddle: Here I Go, pt. 2 of You