Bring your own lights

Photo Jason Mandella


In Katherine Hubbard’s solo exhibition Bring your own lights, the history of The Kitchen’s building as an ice storage facility was the impetus for a meditation on site, vision, and identity, realized through a series of new works in photography, installation, writing, and performance. Hubbard presented light as the basic element of both vision and photography in order to decode processes of spectatorship. In the front gallery, a dimming light installation mirrored the main gallery’s two series of photographs in which light was subject and medium. Low, angled stools placed throughout the exhibition provided specified sight-lines that emphasized the placement of the body and the experiential nature of photography. For Hubbard, the act of viewing is inextricably tied to subject positioning and the creation of meaning. During the run of the show, Hubbard presented two performances, where she turned The Kitchen’s gallery space into a darkroom. This exhibition was curated by Matthew Lyons.

Supplemental Information

Le Beau Vice Review [PDF]
Checklist [PDF]
Village Voice Listing [PDF]
This Week in New York Review [PDF]
Artforum Diary [PDF]
Press Release [PDF]
View images for this event (9)

Similar Events

Warrior Sisters: The New Adventures of African and Asian Womyn Warriors
Ann T. Greene, Fred Ho
See More: Literature, Music, Performance, 2000s
Kalup Linzy’s “Comedy, Tragedy, Sketches of Me” and Rashaad Newsome’s “Shade Compositions”
Kalup Linzy, Rashaad Newsome
See More: Performance, 2000s
Women’s Work: A National Collection of Video by Women
Alicia Starr, Anita Thacher, Ardele Lister, Barbara Buckner, Barbara Sykes, Carol Goss, Cecilia Condig, Constance Coleman, Dara Birnbaum, Hilary Radner, Ida Applebroog, Jill Scott, Joan Giummo, Judith Barry, Kathryn Kanehiro, Marge Dean, Martha Gever, Martha Rosler, Mary Lucier, Melanie Sherwood, Micki McGee, Norie Sato, Renee Jensen, Shigeko Kubota, Theresa Hak Kyung Cha, Wendy Chambers
See More: Exhibitions, Film/Video, 1980s
Crowds and Power: What Happens When Instruments Find Their Way Into The Wrong Hands
Elliott Sharp
See More: Music, Performance, 1980s